 |

Publication Date: October 2003 (English
edition coming soon)
ISBN 978-0-9725611-1-2 (0-9725611-1-0)
Format: Trade Paperback, 132 Pages
$12.50
JAQUELINE
HERRANZ BROOKS
SYNOPSIS:
• Scenes
for Tourists
EXCERPTS:
• Scenes for Tourists
REVIEWS:
• A
Look at Cuba Through the Alternative Glass
|
 |
EXCERPTS
OF SCENES FOR TOURISTS
September
Wearing no underwear, faced with the same situation,
and at approximately ten at night: I’m fixing
a quick meal. I try combinations of macaroni, egg,
and beans: a disaster. The possibilities for fixing
macaroni are reduced to the cooking time. Those for
fixing eggs to economics (with or without oil). As
for the beans, I don’t have many options beyond
warming them up.
With no real time, and as I pick up a fork lying on
the floor, I think that time is a pedantic magnitude,
and I serve the beans absolutely cold on a flat plate.
I don’t know why I imagine well-arranged garbage
cans and a trash collection system that works. I polish
off the spoonful and run to open the macaroni.
The other day I had a dream. I was in the cemetery
of a developed country, because everything was incredibly
clean. A dream. I connect it to the idea of the trashcans;
I spear a macaroni, but since I’m barefoot and
the stove is electric I feel the current. The fork
falls again; the smell of what’s boiling clouds
my sight.
The pot where the macaronis are immersed emits steam
that sticks to the ceiling. I tell myself, it’s
hard to survive amidst filth. The pestilence hems
in the possibility of olfactory expansion. Nevertheless,
the smell of what’s boiling gets stronger and
stronger, and it mixes with the steam from the bathroom,
the smell of the neighbor’s soap that runs up
against the stench of the ducks, also neighbors.
I abandon everything for a cigarette. I close myself
up so much that I prefer the smell of re-heated grease.
The spitting of the lard, a rain of volcanic acid:
death, if we weren’t so fit for the continual
bubbling of excrescences. Spattering that philosophizes,
in my opinion. End of the cigarette; aim it at the
ashtray and serve the macaroni. I check on the egg
while I follow the line drawn by one of those common
salamanders: black dots on stained and crumbling tiles.
|
 |